Showroom Internationale' focuses on Elvis's January-February 1971 engagement at the International Hotel in Las Vegas. It features two concerts: The January 28th Midnight Show, previously released by Fort Baxter as 'Lean, Mean, and Kickin' Butt', and the February 23rd Dinner Show, which was previously unreleased. The CD's come inside a 90-plus page full color book, held on proper CD spindles this time. It seems the producers at International wisely avoided the foam rubber disasters that were used on 'The Complete Works'. The hardback book is housed is a beautiful slipcase, much like 'The Complete Works'.
However, as someone who found 'The Complete Works' book to be just adequate, the book for 'Showroom Internationale' is simply stunning. Where the former contained mostly pictures I had seen before, the latter contains many new and rare beauties from this engagement. In fact, I would say it has just as many new (to me) pictures as it has familiar ones, including one super-rare full color shot of Elvis wearing the White Cisco suit with black inserts- wow! It also features pictures of rare memorabilia, and a smartly written text about 1971. I would also mention that the graphic design has been kicked up a notch as well, where 'The Complete Works' was decent, 'Showroom Internationale' is awesome.
Now onto the main event- the shows.
The first disc, as i said before, is the January 28th Midnight Show previously released as 'Lean, Mean, and Kickin' Butt'. We all know it's a very strong show, but in this release it sounds better than ever as it has been remastered from a brand-new transfer of the original tape by our old friends at the Diamond Anniversary (DAE) label! It looks like after they were burned on the sound of 'The Complete Works' set, International sought out a known quantity to handle it this time. Well, the DAE team lives up to it's reputation, because this new disc leaves the old release sounding flat and lifeless by comparison. CD 1 is filled out with bonus tracks of rare songs from other shows in the engagement. The bonus tracks don't have the same level of sound improvement as the main show (perhaps they were not working with the original tapes on these), but are a nice addition for those who don't have them in some other form.
The second disc features the February 23rd Dinner Show, which simply the best show yet released from 1971. Period. In Capital Letters. Better than Boston. The mix on the show, as with most soundboards is largely accidental, but is also fortunately an ass-kicker. The mighty Tutt-Scheff rhythm section is mixed right up front, as is Elvis's vocal and the backup singers. James Burton (unfortunately) and the orchestra (fortunately) are mixed somewhat in the background. Elvis's voice is clear as a bell, with very minimal distortion. International also teamed of with DAE for the restoration and mastering on this show, so it sounds great as well. The performance is what really shines though. Elvis tears through 'That's All Right' and 'I Got A Woman' with a ferocity that in every way equals his 1969 vocal power. The performance of 'I Got A Woman' on this show is arguably the best performance of the song since the 1956 studio master. It's brilliant, and energetic. Everything one hopes of from Elvis's performances of this period. He teases the audience by faking them into thinking he's going to perform 'Love Me Tender' before switching to 'Love Me', which is an unusually good performance for a post-70 show. What's great about Elvis's vocal performance in this show is that he is pushing himself, and taking chances vocally, sometimes they miss (in 'You've Lost That Lovin' Feelin'), but usually they are right on target (in the incredibly inspired versions of 'How Great Thou Art' and 'Bridge Over Troubled Water' from this show). 'How Great Thou Art' is hands down the best early live performance I have heard, performed with a determined focus that leaves you with chill bumps. He then offers three rockin' versions of old classics 'Don't Be Cruel', Heartbreak Hotel', and 'Blue Suede Shoes' that have the same amount of passion as the TTWII versions. 'Bridge' is probably the best post-70 version I have heard. 'Little Sister/Get Back' is an interesting version with a very cool ending. 'Hound Dog' is fire-breathing. The tape ran out 3/4ths of the way through 'Suspicious Minds', which is a shame because the way the show was going, I think we were robbed of the definitive version of 'The Impossible Dream', but I am very glad for what has survived.
I am interested to see what everyone else thinks once they get their copies, but I am pretty sure there will be many that share my enthusiasm for this show. I just got this release Friday, and have already listened to CD2 five times. It's the best soundboard in terms of show quality that I have heard in a looong time, and I already rank it with my favorite ever soundboard releases (Just Pretend, If You Talk In Your Sleep, It's A Matter Of Time, and Opening Night Jan 70). I think it's safe to say that those who buy this release will be more than satisfied with it.
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